Review: ‘Look Back: Move Forward’ at Kennedy Theatre
NOV. 16, 2013 | 0 COMMENTS
REVIEW BY CAROL EGAN / Special to the Star-Advertiser
Those who like to be where the action is should check out the University of Hawaii at Manoa’s current production, “Looking Back: Moving Forward,” at Kennedy Theatre.
Part of Kennedy Theatre’s 50th anniversary celebration, “Looking Back” includes pre- and post-performance video and slide projections on different facades of the building, the adjacent lawn and the East-West Center across the road. Once inside, a short film showing the history of Kennedy Theatre precedes the concert while subsequent dances ranging from traditional to contemporary offer a cornucopia of styles and rhythms.
‘Look Back: Move Forward’
Presented by the UH-Manoa Dept. of Theatre and Dance
» Where: Kennedy Theatre, University of Hawaii at Manoa
Examples of “Looking Back” are Jean Erdman’s “Hamadryad,” originally choreographed in 1948, and Carl Wolz’s “Blue-Green” from 1980. Erdman, born in Hawai’i in 1916, had a successful career in the New York modern dance world before returning home. The first dance performed on Kennedy stage in 1964 was a work by Erdman. Carl Wolz founded the UH-Manoa dance program in 1966 and is credited with developing the basis for the strong training for which the university is known.
These early works both show a respect for form and spatial exploration. “Hamadryad” teams up a solo dancer and flautist (Debussy’s “Syrinx” is musical accompaniment). Although created 65 years ago, the dance struck my companion as being “very modern.” Wolz’s “Blue-Green,” a mere 33 years of age, features a statuesque duo, the excellent Mareva Minerbi and Blythe Stephens, dancing to Francis Poulenc’s lyrical “Sonata for Oboe and Piano.” Echoing each other’s movements at first, with broad and full sweeps of arms and legs, they traverse the stage, sometimes in unison, often in counterpoint. Whether together or apart, one feels they are united.
Remaining works on the program were created by UH dance alumni. In his opening remarks, Department Chair, Gregg Lizenbery explained how proud the department is of its diversity. “We don’t like to make clones,” he stated. Proof of this philosophy was soon to follow.
Blythe Stephens, left, and Mareva Minerbi perform “Blue-Green,” part of Kennedy Theatre’s “Look Back: Move Forward” production at UH-Manoa. (Courtesy Chesley Cannon)
“The Other Rhythm,” a newly choreographed piece fusing Hawaiian hula with Indian bharatanatyam, was choreographed by Kumu Hula Vicky Holt Takamine, Jeff Kanekaiwilani Takamine and Anita Vallabh. It blends the rhythms of hula with intricate and percussive Indian rhythms, alternately featuring one or the other ensemble before allowing them to interact and eventually join forces. The combined group of 15 student dancers performed with the assurance and presence of professionals.
The dramatic duet, “Deep Divide,” created by Jennifer Shannon, is an intense 13-minute dance, exquisitely performed by Alexa Manalansan and Kent Shinomae. Depicting the trials of a relationship, it opens with the couple enclosed in a large gold frame on a pedestal.
Standing close yet alienated from one another, the woman descends to the stage. Though they periodically reconnect, there is never a sense of tenderness. Excerpts from Philip Glass’ string quartets 3 and 5 offer a perfect accompaniment.
Further works included the sassy “Cell Block Tango” from “Chicago,” adapted by Tony Young and performed with just the right amount of pizzazz by six talented young ladies; Yukie Shiroma’s elegant “Okinawan Spirit” danced to the exotic sounds of Tuvan Throat Singers; Andrew Sakaguchi’s “Street Dance” showing the jazzier aspects of dance; and Cheryl Flaharty’s “You’re the One for Me,” a brilliant parody of the Pele-Kamapua’a myth. Flaharty, who earned a BFA in Dance from UH-Manoa in 1981, has gone on to create one of Hawaii’s most popular dance groups, Iona Contemporary Dance Theatre.
The UH-Manoa dance program is clearly contributing and enriching the dance community in Hawaii in many ways. Kudos to Lizenbery, concert director Betsy Fisher and the faculty, staff, alumni and students involved in this celebratory event.
Carol Egan is a Honolulu-based freelance writer and Juilliard graduate who has performed, taught and choreographed throughout the United States and Europe. Prior to her retirement and relocation to Hawaii in 2001, she was a faculty member at the University of California.